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MIAMI -- The perennially thrifty Miami Marlins have become big spenders in the late innings. Cheap Authentic MLB Jerseys .Two people familiar with the deal said right-hander Brad Ziegler agreed Friday to a $16 million, two-year contract with the Marlins, who added their second former Red Sox reliever in as many days.The people confirmed the deal to The Associated Press on condition of anonymity because it wont be final until Ziegler passes a physical. The agreement came shortly after right-hander Junichi Tazawa finalized his $12 million, two-year contract with the Marlins.Miami is hoping a deep bullpen will give manager Don Mattingly lots of options to help compensate for a rotation weakened by the loss of ace Jose Fernandez, killed in a boating accident in September.Im very excited with how our bullpen looks, said president of baseball operations Michael Hill, speaking before the Ziegler deal was confirmed. We wanted to create as much depth and talent and versatility as we could, and give Donnie as many options as possible to potentially shorten the game.Tazawas acquisition came with an endorsement from Ichiro Suzuki, the Marlins outfielder and 3,000-hit club member. What was Suzukis scouting report on Tazawa, a fellow native of Japan?That hes a very good pitcher and can help us, Hill said. He signed off, and that was good to know.Ziegler is a nine-year veteran with a career ERA of 2.44 and 85 saves. He has pitched for three teams, including Arizona and Boston last year.Tazawa had been with the Red Sox since his rookie year in 2009, and has a career ERA of 3.58. Miami swung the deals for both pitchers after falling short in its pursuit of high-priced closers Aroldis Chapman and Kenley Jansen.We know theres competition for players, Hill said. You have a Plan A, but you have a Plan B, C and D to accomplish your goal.Ziegler is expected to compete with incumbent A.J. Ramos for the closers job. Tazawa should help compensate for the loss of left-hander Mike Dunn to Colorado in free agency.The goal is always to try to put together the deepest bullpen we can, and a bullpen with different looks and different ways to get people out, Hill said. With Junichi you see someone who has pitched in the very competitive American League East and has a varied repertoire of weapons to get hitters out.The Marlins have also acquired starting pitchers Edinson Volquez and Jeff Locke this offseason, and they added A.J. Ellis as their backup catcher.Miami designated right-hander Nefi Ogando for assignment to clear a roster spot. Cheap Seattle Mariners Jerseys . After Mondays hard-fought loss, the wait seemed longer than usual. Getting set to go their separate ways for a short Christmas break, the Raptors coach credited his team for their effort on a seemingly impossible three-game road trip, urging them to build on that success when they get back to work at the end of the week. Cheap Philadelphia Phillies Jerseys . Marincin has played in two NHL games so far this season with two penalty minutes. The 21-year-old has three goals, four assists and a plus-5 rating in 24 games with the American Hockey Leagues Oklahoma City Barons this season. http:///...lanta-braves-jerseys . -- Ty Montgomery had 290 all-purpose yards and two touchdowns, and fifth-ranked Stanford held on to beat No. If you write, people want to visit your office. It doesnt matter if youre immortal or middling; the immortal may get lines of tourists, and the middling curious friends and straggling fumigators, but the impulse is the same -- people want to see where the mystery happens, if only to make the mystery less mysterious. They want to see the talismans rubbed smooth and the voodoo dolls stuck with pins; they want to admire the view that somehow produces the point of view; most of all, they want not only to spy where the magician stashes his hat, but also to make sure he feeds the rabbits. The work may revel in disarray; but the office should be nothing less than a vision of order, evidence that a story well-written should lead to a life well-lived.In this, my office is no different from the haunt of any other scribbler: It attracts visitors. Its only distinction is that also repels them. Time and again, Ive lead the hopeful up the stairs to the little bedroom that serves as my atelier, only to see the reality snuff the hope -- and the fantasy that my office might be charming enough to warrant description en fran?ais -- from their eyes. It is a sobering experience, for them and for me; for I have seen kindly family members literally recoil from the sight of my workshop, and well-meaning acquaintances let out an involuntary Oh under their breath, before turning on their heels and getting the hell out, as if they have seen something they werent meant to see. I have had many people come to visit; I have never had anyone stay very long, including my wife, my daughter and my dog.?I do not know why this is, exactly. My office is on the second floor of my house, with a pleasing view of a wooded backyard; its loaded with knick-knacks and personal mementoes; it is bursting -- barnacled -- with books. Though small and cramped, it is, in short, as well-appointed as many another writers domicile, and I am nothing if not friendly. Come and visit, and I will not only show you around; I will make sure the unsteady stack of literary magazines tottering in the corner doesnt fall on you. Come and visit, and I will explain why taped to my window frame is not only a succession of wallet photos of my daughter Nia, but also postcards of Hans Hobleins portraits of Thomas More and Thomas Cromwell, angrily squaring off. Come and visit, and I will show you not only the first book I ever bought -- The Portable Faulkner, kept within easy reach -- but also, like, the four-thousandth.?And yet nobody visits; or, put another way, everybody by now knows better than to come up the stairs. Hell, I know better. When I come home from traveling, my office is often the first place I stop and visit; it also the first place I flee, even when I have to write. This is not a bad thing; more and more, I have stripped myself of rituals, and have made offices of wherever I happen to sit myself down. I write on the couch; I write in bed; I write, like everybody else, at Starbucks; I write, as I am writing now, in a cubicle at the local public library. My office is often where I start; some impersonal place, barren of everything but necessity, is generally wheree I, and whatever it is I am writing, end up. Cheap San Diego Padres Jerseys. My wife would offer a simple explanation for the failure of my office to be an office: its a mess. I disagree. Not that its messy, or that the accumulated water glasses and coffee cups tend to overwhelm the meaning of the carefully curated personal arcana; it is, and they do. But even on those occasions when Ive tidied up, there is something about my office that keeps visitors at bay, something that goes to the heart of the whole idea that the best place to find a writer is where he or she happens to work. A scribblers haunt is always haunted by the unscribbled, and so it is with mine. It hardly matters that I keep, within arms length of the plastic core-building accordion that now serves as my chair, a chronological collection of every magazine in which Ive published a story. It matters even less that, since Ive been at this a while, the collection can be measured by the yard, for on the shelves above are the yards of uniform slipcased masterpieces published by the Library of America, to which Ive dutifully and nerdily subscribed for 35 years. The discrepancy is intentional; so is the comment cast upon my output by the complete works of H.L Mencken and Mark Twain. My office, then, is where my motivation melds with my masochism, and where as a result I can neither stay nor stay away from very long.?Of course, unless youre Philip Roth -- unless youre in the Library of America -- I cant imagine that many writers feel differently about their offices than I do. I cant imagine that they find their offices places of refuge, as anything indeed but places of trial, which is why Ive come to believe that admiring a writers work enough to seek out the place where it was written is akin to liking a steak enough to seek out where it was slaughtered. Its interesting, if you can ignore the blood on the walls. Ive never been able to, especially when it comes to my own little abattoir, though thats not to say that Im not still beguiled by the promise of writing in the comfort of my own home, surrounded by books, magazines, and photographs of those I love. I even have a few good luck charms that seem to work, and a few photographs that serve to inspire me when all seems lost, such as those of me finally starting a football game at the end of my senior year in high school, after what seemed a lifetime of ignominiously riding the bench. It was not only the first success of my life; it was a success of endurance over talent, and so pertinent to my eventual life as a writer. The only problem is that when I look at those photos, what they have to teach seems small, compared to what I often see through the window right next to them. There, the red-tailed hawk that haunts my backyard has chosen as his perch a branch not more than 10 feet away, and directly in my line of sight; and so the greatest inspiration of my office is watching him go dutifully to his, where he tends to his wriggling prey, and then flies off, leaving nothing but bones behind. ' ' '